Seneca ReviewReviews
Print REviews
52/1 Spring 2022
Nicole Yurcaba reviews Ksenia Rychtycka's A Sly Full of Wings.
Chelsea Christine Hill reviews Joanna Klink's The Nightfields.
Daniel Schonning reviews Rachel Manheimer's Earth Room.
51/1 Spring 2021
Daniel Schonning reviews Kazim Ali's The Voice of Shelia Chandra.
Taylor Byas reviews Khadijah Queen's Anodyne.
49/2 Fall 2019
Kelly Weber reviews Eleni Sikelianos' What I Knew.
Daniel Schonning reviews Claudia Keelan's Ecstatic Émigré.
48/1 Spring 2018
Timothy O’Keefe reviews Mónica de la Torre's The Happy End/All Welcome.
Jacob Paul reviews Selah Saterstrom's Ideal Suggestions: Essays in Divinatory Poetics.
Rachel Abramowitz reviews Shira Dentz's How Do I Net Thee.
Claire Tranchino reviews Andrew Seguin's The Room in Which I Work.
21/1 Spring 1991
Stephen Kuusisto reviews Robert Bly's Iron John.
18/1 Spring 1988
Stephen Kuusisto reviews Nanao Sakaki's Real Play.
17/2 Fall 1987
David Weiss reviews Jorie Graham's The End of Beauty.
7/2 Fall 1976
Albert Herzing reviews James Dickey's The Zodiac.
Bob Leitz reviews Albert Goldbarth's Comings Back.
Monroe Lerner reviews Thomas Lux.
6/2 Spring 1976
Ira Sadoff reviews John Ashbery's Self Portrait In A Convex Mirror.
Ira Sadoff reviews Norman Dubie's In the Dead of the Night.
Ira Sadoff reviews Linda Pastan's Aspects of Love.
5/2 Fall 1974
Ira Sadoff reviews Jon Anderson's In Sepia.
James Crenner reviews Michael Culross' The Lost Heroes.
4/2 Fall 1973
Ira Sadoff reviews Russell Edson's The Clam Theater and The Childhood of an Equestrian.
4/1 Spring 1973
Ira Sadoff reviews Gregory Orr's Burning the Empty Nests.
2/1 Spring 1971
H. R. Hays reviews Lennart Bruce's Observations.
Ira Sadoff reviews John Haines' The Stone Harp.
H. R. Hays reviews Robert Peterson's Wondering Where You Are.
James Crenner reviews Mark Strand's Darker.
Ira Sadoff reviews Mona Van Duyn's To See, To Take.